Nikaido Tokuyo (1880-1941)

Feb. 6th, 2026 09:44 pm
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[This got quite long! The Japanese Wikipedia page goes into unbelievable detail.]

Nikaido Tokuyo was born in 1880 in a mountain village in Miyagi. She finished her schooling at fifteen and became an elementary school teacher’s aide in the same year, like many rural girls; her students enjoyed their bouncy young teacher. Deciding to get formal education credentials, she applied first to the Miyagi Normal School, which no longer had a women’s department, and then to the Fukushima Normal School, which told her she had to be a resident of Fukushima; nothing daunted, she got herself adopted (on paper) by the editor of a Fukushima newspaper, started school, and graduated in 1899. At the Normal School she found the old-fashioned gym classes boring, but did well in them as a student teacher, allowed to wear her “sports” outfit (tight sleeves and a hakama) on a daily basis.

Teaching once again, she encountered Naganuma Chieko, the older sister of one of her students; they became lifelong friends. In 1900 she took leave and entered the Women’s Higher Normal School in Tokyo, where she studied pedagogy with Yasui Tetsu as well as gym and poetry. She graduated in 1904 and went to teach at the Ishikawa Girls’ Higher School, where—having expected to teach Japanese—she found herself assigned to gym classes; resentful at first, she found they improved her own health as well as her students’, and began taking gymnastics lessons with Frances Kate Morgan, a local Canadian missionary. Eventually she progressed to coaching local elementary school teachers in gymnastics instruction. A gymnastics demonstration at which students danced the quadrille, with a live band sponsored by the prefectural governor (whose daughter was among the students) was so popular that local high school boys, unable to get tickets, climbed over the fence and caused a minor riot.

Tokuyo was transferred to Kochi in 1907; there she became famous for reading Shakespeare to her students while they rested in the shade between exercises. In 1911 she took up a position at the Women’s Higher Normal School, where she briefly worked with Inokuchi Akuri; the following year, the Ministry of Education sent her to England to study gymnastics. There, under Martina Bergman-Österberg, she was able to study systematically in comparison to the bits-and-pieces, mix-and-match approach she had followed so far (her instructors were surprised at how little she knew about standard gymnastics).

After her return to Japan in 1915, she taught dance, gymnastics, games, and sports (including cricket, the fruit of her study in England) at the Higher Normal School as well as Tokyo Women’s University, publishing several books as well. After some clashes with her colleagues, she resolved to set up her own school. In 1919 she formed the Association of Women Gymnastics Teachers; in 1922 she founded the Nikaido Gymnastics School to research women’s physical education and train women teachers; it was her stance that women should educate women. In addition to Tokuyo herself, instructors included various military doctors and athletes as well as her little brothers, who showed up to teach Japanese, while her mother Kin—once a tough farm girl who hated sewing—ran the dormitory. In 1925, stimulated by the matriculation of the Olympic runner Hitomi Kinue, Tokuyo decided that her school needed to train athletes as well as teachers. The school was approved as the Japan Women’s Vocational School of Physical Education in 1926.

In her later years Tokuyo became increasingly nationalist as Japan slid toward wartime status; she had a perpetual adoration for the military. She died in 1941 at the age of sixty. (In 1943, a newspaper printed her thoughts on the establishment of a women’s physical education exam; the text actually came from her brother, but she was considered better news regardless of the fact that she had already been dead for two years.) Among her students were the dance teacher Tokura Haru, who was instrumental in keeping the school solvent, and the politician Yamashita Harue; Tokuyo’s school remains in existence as the Japan Women’s College of Physical Education. She was said to have had the powerful voice of an opera singer, or rather of the gym teacher she was; she also had a repertoire of insults to rival Captain Haddock, including “jelly on horseback!” “rotten washcloth!” “misshapen rock candy!” and so on.

Sources
https://www.jwcpe.ac.jp/college_info/idea/founder/ (Japanese) Includes a picture of Tokuyo with her students in uniform

Mediterranean seagulls

Feb. 6th, 2026 05:38 pm
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And here are some Mediterranean seagulls from Istanbul for you - big, loud and cheeky ;)

Read more... )
cmk418: (diane wittlesey)
[personal profile] cmk418 posting in [community profile] halfamoon
Title: After DeeDee
Fandom: OZ (HBO)
Character: Diane Wittlesey
Rating: Teen
Word Count: 306
Summary: Her world changed after DeeDee was born

After DeeDee )

*grumble*

Feb. 6th, 2026 01:19 pm
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[personal profile] goodbyebird
Mitski is playing in London in May and I don't have enough internet to do so much as open the ticket site.

My plague of ill concert happenings, I swear.

Day 6 Theme - Her Own Personal Code

Feb. 6th, 2026 06:14 am
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Today's theme is Her Own Personal Code.

Here are some ideas to get you started: What rules guide the way she lives her life? What rules guide the way she wants others to live their lives? Was this something she developed over time or something drilled into her as a child? Did religion or a particular mentor play a role in the development of her code of morality?

Just go wherever the Muse takes you. If this prompt doesn't speak to you, feel free to share something that does. You can post in a separate entry or as a comment to this post.

Want to get a jump start on tomorrow's theme? Check out the prompt list in the pinned post at the top of the page. Please don't post until that day.

podcast friday

Feb. 6th, 2026 07:06 am
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[personal profile] sabotabby
 There's a lot of good stuff on the podcast feed this week, but look, we all have to be Elbows Up these days or whatever, even though Canada is a fake country, because it's better to be a fake country with healthcare than a fake country with crushing medical debt. So I must proudly wave the flag when Behind the Bastards notices and recognizes an actual Canadian bastard, as they did this week with Romana Didulo, Queen of Canada (Part 1, Part 2).

Her Majesty is not a successful cult leader by American standards; she basically ruined the lives of a few dozen people and hasn't directly killed anyone that I know of, though in terms of indirect deaths through encouraging the spread of covid, she's likely ended at least a few lives. She's a fascinating study, though, in Why People Believe Batshit Things Against Obvious Evidence and Logic, and she's worth learning about for that alone. This is an obvious mentally ill person with no charisma, elevated to fame by some rando on the internet, and enabled by a media ecosystem that considers all opinions equally valid unless they're left-wing opinions. In a better society she'd be given the help she so obviously needs; in ours, her worst tendencies were encouraged and rewarded.

Of course, this is all ancient history from the early 2020s and is of no instructive value now. Just, y'know, interesting to listen to.

ETA: I am remiss in not mentioning that there's a third part to come next week. I had like 10 minutes left in the second episode and did not realize there was MORE ROMANA to come.

Do hard things badly, keep dancing

Feb. 6th, 2026 05:58 am
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[personal profile] sorcyress
Very long day yesterday. Thursdays are my busiest days at work, where I see all five of my classes rapid in a row, with just my lunch break in between. It always gets me a little bit bleary-eyed, and then today we had conferences after. At least those were scheduled in the earliest time-slot we ever do them --we move the times a bit so that different parental situations can have access at different times, and this was the 3-5 event.

Then, as Clayton-workbestie and I were walking home, I mentioned offhand "oh, and I have to go teach Scottish now". Which was actually a great comment to make, as it led us back to my absolute favourite walking-home-conversation-topic, to wit, the pedagogical and logistical differences between teaching high school geometry, Scottish country dance, or Japanese tea ceremony. We know a surprising amount about each others' niche hobbies, just from being passionate and enthusiastic about them, and willing to nurse that enthusiasm in the other, and it's really nice.

(the biggest conclusion this time was the pairing of advantages/disadvantages. I can run a dance class on a school night, because setting up and tearing down only takes me about 15 minutes on either end (plus a potentially infinite amount of prepping a lesson plan, but I can get by if that's measured in a single digit of minutes). He can't do that, needs much more time to prepare fancy snacks before and carefully hand-wash and ensure all the dishware is dry after, but if only one other person shows up to his class, they will have a marvelous and fruitful time, where I get nothing but footwork practice at that point.)

And of course, every time I say the phrase, I think about a post Tricia made years ago, about a gentle correction BDan gave her when she said "I have to go dancing tomorrow". Change "have to" to "get to". I _get_ to run my dance class on odd Thursday nights.

Really truly, it has been astoundingly consistent, that no matter how up or down I'm feeling beforehand, I have not yet had a week where I came out of class feeling bad. Varying levels of tired, but the fact that I've bent the world to my will enough to have this one little bright spot of joy and community is amazing, and I feel consistently so privileged and excited to get to witness it.

Also it's _so nice_ to have simply embraced my ethos of "do hard things badly" and just run forward with it. Another difference from tea ceremony --they have more of a set and ordered curriculum, which is lovely for them, but doesn't have as much flexibility for my style of "you've been here like twice before ever and just walked in a few minutes late? yeah, we're just gonna throw you in, do your best"

I'm also so privileged to have found-made-cultivated-developed-whatever a group of people willing to extend me grace and patience as I learn the best ways to say the things to share the idea. I still need to remember that modeling is often best, but on any given dance, I can feel myself getting better within the moment as I encourage them on. Truly, my class is spoiling me for regular teaching.

(that's actually not a joke --when I last taught at Cambridge Class, the biggest and much more traditional class in the branch, I found myself second-guessing and being slightly shocked at how much support these far more experienced dancers needed, and having to occasionally rewrite programs between weeks to take some challenges down a few notches. Which is really just a different culture of dance --there's much more of the "wanting to do the same things enough times to feel confident" where I'm more, as I said, be okay with doing things badly.)

Maybe I should write a continuing set of ethos up sometime, what I'm actively hoping to cultivate. Include things like "we communicate without words [except the caller]" and "we keep trying to find our spot". The compliment for the two newest dancers on the floor tonight was that both of them were very good at _not stopping_. One of them, the one who's only come two or three times before, is the one we all cornered at the end to express astonishment she does no other form of dance.

"If you're having fun, you definitely should come back, because you have a quite good sense of how to communicate non-verbally" I say (approximately) and Alex interrupts to say "if you're having fun, you should come back because you're having fun" which I appreciate. It's all a very good situation, honestly.

And it's nice to know that there's something feeling interesting and exciting and sustainable in my world, especially when some days my job is feeling, uh, not those things. This year has been very long and hard, it's important that it also has dancing.

I love you,
~Sor
MOOP!

(no subject)

Feb. 6th, 2026 10:23 am
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Happy birthday, [personal profile] rymenhild!

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