Lost in Lualand

Sometimes as I head to the bathroom for my bedtime rituals Purrcy comes racing to the windowsill outside the door for Wild! Shenanigans! Who can spot such a creature?!?



Comfort and self-care are SO important In These Trying Times, says Purrcy. Don't you agree? You, too, can combine sprawling with personal hygiene, if you're a cat!

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This week in books (up through yesterday, because I completely blanked on that's what Wednesday is for).

#21 There Is No Antimemetics Division, by qntm
It's very mind-bendingly creepy, but it fundamentally doesn't work for me because there's an underlying premise that the only minds on Earth are human. I spend too much time reading science where we deduce the existence of things we can't see to be convinced that there could be things that would be that good at messing with human minds without leaving 2nd or 3rd-order effects on the physical world.

#22 Automatic Noodle, by Annalee Newitz
An extremely cheerful post-this-apoc story about robots & humans clawing their way out of war and societal collapse to make good-tasting food, dammit. A love note to San Francisco. I described the vibe as "you're wet now, but you're going to get dried off and have some delicious noodles to warm up while you hang with your friends".

#23 The Poet Empress, by Shen Tao
Such a relief to read a book based on Chinese imperial harem/court politics that reflects the power-driven, unromantic historical reality. Also a relief to read a book about *any* royal-level struggle where the protagonist understands how much and how little royalty are truly important.

#24 Asunder, by Kerstin Hall
The cover represents this book *extremely* poorly: it implies the subject is a contemporary young woman (judging by haircut & clothing), which is 100% not the case, and the grasping/entangling hands are very hard to see.

The actual setting is extremely interesting & deserved to be conveyed by the cover: it's a fantasy landscape inspired by South Africa, which took me a while to pick up. Just like our South Africa, the world has a complex, layered history -- in this case of magic, invasion, gods and their deaths, and of how most people are just trying to make their lives among the machinations of the powerful. The *feel* of the history as well as the landscape isn't the usual pseudo-Euroasian, but I don't get the feeling that it maps to the history of southern Africa in any direct way. But it's definitely *different*, which is good.

Karys Eska is bound twice, once to the terrifying eldritch entity Sabaster who gives her the power of a deathspeaker by which she earns her living, and now to the spirit of Ferrian, a wealthy young man who promises he can pay her all the money she needs if she can carry him to safety--inside her head. Her journey to try to release herself from these two bindings is vivid and increasingly complex. The ending is not completely satisfying, and I see that's because she's writing a direct sequel.