i.
a couple weekends ago i stayed up late and had a couple beers while trying to figure out why The Velvet Underground is a big deal.
uh, let me backtrack a bit.
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ii.
when i first played porpentine's "howling dogs", i rolled my eyes at the opening, which is just a long quote lifted from a kenzaburo oe's teach us to outgrow our madness. i had an unconscious, knee-jerk reaction: oh gee, look at this pretentious person, probably into lousy MFA fiction, majored in lit, putting on airs by name-dropping foreign nobel prize winners. (my unconscious it not very nice.)
i played the game and didn't much like it. it felt pretentious. its language was overwrought. there wasn't really a solid core.
( Read more... )
( iii. )
( iv. )
( v. )
vi.
i've noticed lately that i've used the word "patient" to describe art i really admire.
( Read more... )
( vi. )
( fin. )
a couple weekends ago i stayed up late and had a couple beers while trying to figure out why The Velvet Underground is a big deal.
uh, let me backtrack a bit.
( Read more... )
ii.
when i first played porpentine's "howling dogs", i rolled my eyes at the opening, which is just a long quote lifted from a kenzaburo oe's teach us to outgrow our madness. i had an unconscious, knee-jerk reaction: oh gee, look at this pretentious person, probably into lousy MFA fiction, majored in lit, putting on airs by name-dropping foreign nobel prize winners. (my unconscious it not very nice.)
i played the game and didn't much like it. it felt pretentious. its language was overwrought. there wasn't really a solid core.
( Read more... )
( iii. )
( iv. )
( v. )
vi.
i've noticed lately that i've used the word "patient" to describe art i really admire.
( Read more... )
( vi. )
( fin. )