Festivids reveals have happened! I made 6 vids this year, three solo and three with
periru3. I posted my first treat in early December and was glad I had, because it turned out that the rest of the month was a pretty scary and uncertain time in my family and I wasn't sure how much vidding I'd be able to do. Thankfully things were looking much better by New Year's and I enjoyed having a creative outlet after that stressful time. (Honestly, having a reason to just keep vidding in the doldrums of January is a real liferaft even in more normal years.)
As ever, I'll list my vid chronologically and share a few notes about each:
Lost Words Blessing (Flow): Shortly after requests went live, I saw Vienna Teng in concert and she covered this gorgeous song. I already had
Flow in mind as a source I would love to vid, and the mystery and lyricism and wildness of the song spoke to everything that had made me so emotionally engaged in the film.
The Stranger (Very Important People): On long drives, Periru and I sometimes play a vidding game where we pick a fandom and put a playlist on shuffle until we find a song we think would be interesting. It doesn't often turn into a finished vid, but sometimes a song comes up and you just KNOW. I have always wanted to vid "The Stranger" and had no idea what kind of source I could match it with, and it turns out the answer was VIP! It was so much fun to get weird with all the different tempos and moods of the song, down to our self-indulgent and bizarre Chompsky's outro.
You Get What You Give (A Man on the Inside): I matched with MimiHylea on
Twelfth Night, and assumed that is what I would end up vidding, but I also was a bit worried I'd used all my best genderbending Shakespeare mojo on "Boys Keep Swinging" last year. Given that, it felt like the perfect opportunity to finally watch the new Michael Schur-Ted Danson show that I had been wanting to check out — and it was so lovely and heartwarming! I knew season two was coming in November so I saved my planning until after that aired, then listened to a
lot of songs about friendship, aging, community, etc. But ultimately "You Get What You Give" grabbed me because the themes of the song felt so resonant with the idea of "what we owe each other" that Michael Schur is clearly still playing with in this show. I wanted to capture Charles' journey from loneliness to connection and the ways he pays that forward, helping the people around him connect as well.
Bulletproof (A Simple Favor series): I'd had the thought that this cover of "Bulletproof" could be a good match for the energy of these movies and for Stephanie's efforts to resist being pulled back into Emily's orbit in the new sequel, and then Periru reminded me that Anna Kendrick actually covers this song in
Pitch Perfect, so that clinched it 😆. This was a very fun vid to make but definitely one of those times when we were realized we were running out of verses and plot and still had two minutes of chorus repetitions and instrumentals left. Some liberal song cutting, adding a segment about all the twin (triplet) reveals, and combing our clips bin for good moments we hadn't used yet got us where we needed to be — I especially like the watch check on "this time," followed by the long slow-mo shot of Stephanie that mirrors Emily's intro in the first film.
Now You Know (Knives Out series): I'm not positive, but it's possible the idea for this vid came as part of the same game that led to "The Stranger." All I know is that, at some point, Periru and I said "We
need to find a Sondheim song that is a good fit for these movies." We nearly forgot we had wanted to make this until about a week before the final deadline, and I'm so glad we remembered to circle back to it, because it was a really interesting one to work with! I started by working backwards, knowing that I wanted us to end on the shot of Marta with her mug on the balcony, but then we had to do a lot of finessing to make sure we were being true to all three characters arcs and that moments we thought were important (like Father Jud's phone call with Louise) were reading. We obviously had a lot of fun working nods to the movies' love of musical theatre into the vid as well!
The Spirit of Adventure (Dimension 20): I had the idea for this vid back when Cloudward Ho! was still airing and — as I usually do with D20 ideas — decided to save it for Festivids. Now, you might think the hardest part of vidding D20 is making static clips seem lively, but I actually have a lot of fun with that! The hardest part of vidding D20 is CLIPPING, because it's just a lot of people sitting around a table talking, for hours on end. In the past, I've either worked with a pretty small subset of episodes or I've hit a tipping point where I'm getting so in the flow of editing that I give up on clipping and scrub for specific moments, but this time I really felt like I needed the whole season properly clipped, and color coded, and sorted before I could really make the vid I wanted to make. So, I started clipping in October and finished clipping in late January 😅. I was not at all sure I'd be able to get this vid done in time for FV, but, during the long clipping period, I'd gotten my intro done and several lyrical matches drafted, so once the clips were in order this really did fly together. I'm so glad it did, as I think this vid really captures all I loved about this campaign!