thisbluespirit: (btvs)
thisbluespirit ([personal profile] thisbluespirit) wrote in [community profile] no_true_pair2026-02-07 08:50 pm

[Amnesty] Subdivisions (Discworld/Chronicles of St Marys - Death/Madeleine Maxwell)

Title: Subdivisions
Fandom: Discworld - Terry Pratchett & The Chronicles of St Marys - Jodi Taylor
Pairing/Characters: Death & Madeleine Maxwell
Content Notes: Alcohol/drunkeness
Prompt: September Twelve 2024 - Death & Max with the title "subdivisions"

Subdivisions @ AO3
straightforwardly: a black & white cat twining around a girl's legs; both are outside. (Default)
straightforwardly ([personal profile] straightforwardly) wrote2026-02-07 09:48 pm

339 | the fifth 3sf 2026 fills round-up

Another round-up! I have now written over thirty fills for [community profile] threesentenceficathon… absolutely wild, especially considering that I’m pretty sure this is over double my previous “best” for most fills written. Again, there is so much Pokémon in this batch… I freely admit that my personal goal at this point is to try to fill as many of the Cyrus/Dawn and Volo/Akari prompts as I possibly can. (…It would be very cool if I could manage all of them, but let us be realistic in our goal-setting, haha.)

tafadhali: ([su] meep morp)
Tafadhali ([personal profile] tafadhali) wrote2026-02-08 02:26 pm

Festivids Reveals

Festivids reveals have happened! I made 6 vids this year, three solo and three with [personal profile] periru3. I posted my first treat in early December and was glad I had, because it turned out that the rest of the month was a pretty scary and uncertain time in my family and I wasn't sure how much vidding I'd be able to do. Thankfully things were looking much better by New Year's and I enjoyed having a creative outlet after that stressful time. (Honestly, having a reason to just keep vidding in the doldrums of January is a real liferaft even in more normal years.)

As ever, I'll list my vid chronologically and share a few notes about each:

Lost Words Blessing (Flow): Shortly after requests went live, I saw Vienna Teng in concert and she covered this gorgeous song. I already had Flow in mind as a source I would love to vid, and the mystery and lyricism and wildness of the song spoke to everything that had made me so emotionally engaged in the film. 

The Stranger (Very Important People): On long drives, Periru and I sometimes play a vidding game where we pick a fandom and put a playlist on shuffle until we find a song we think would be interesting. It doesn't often turn into a finished vid, but sometimes a song comes up and you just KNOW. I have always wanted to vid "The Stranger" and had no idea what kind of source I could match it with, and it turns out the answer was VIP! It was so much fun to get weird with all the different tempos and moods of the song, down to our self-indulgent and bizarre Chompsky's outro.

You Get What You Give (A Man on the Inside): I matched with MimiHylea on Twelfth Night, and assumed that is what I would end up vidding, but I also was a bit worried I'd used all my best genderbending Shakespeare mojo on "Boys Keep Swinging" last year. Given that, it felt like the perfect opportunity to finally watch the new Michael Schur-Ted Danson show that I had been wanting to check out — and it was so lovely and heartwarming! I knew season two was coming in November so I saved my planning until after that aired, then listened to a lot of songs about friendship, aging, community, etc. But ultimately "You Get What You Give" grabbed me because the themes of the song felt so resonant with the idea of "what we owe each other" that Michael Schur is clearly still playing with in this show. I wanted to capture Charles' journey from loneliness to connection and the ways he pays that forward, helping the people around him connect as well.

Bulletproof (A Simple Favor series): I'd had the thought that this cover of "Bulletproof" could be a good match for the energy of these movies and for Stephanie's efforts to resist being pulled back into Emily's orbit in the new sequel, and then Periru reminded me that Anna Kendrick actually covers this song in Pitch Perfect, so that clinched it 😆. This was a very fun vid to make but definitely one of those times when we were realized we were running out of verses and plot and still had two minutes of chorus repetitions and instrumentals left. Some liberal song cutting, adding a segment about all the twin (triplet) reveals, and combing our clips bin for good moments we hadn't used yet got us where we needed to be — I especially like the watch check on "this time," followed by the long slow-mo shot of Stephanie that mirrors Emily's intro in the first film.

Now You Know (Knives Out series): I'm not positive, but it's possible the idea for this vid came as part of the same game that led to "The Stranger." All I know is that, at some point, Periru and I said "We need to find a Sondheim song that is a good fit for these movies." We nearly forgot we had wanted to make this until about a week before the final deadline, and I'm so glad we remembered to circle back to it, because it was a really interesting one to work with! I started by working backwards, knowing that I wanted us to end on the shot of Marta with her mug on the balcony, but then we had to do a lot of finessing to make sure we were being true to all three characters arcs and that moments we thought were important (like Father Jud's phone call with Louise) were reading. We obviously had a lot of fun working nods to the movies' love of musical theatre into the vid as well!

The Spirit of Adventure (Dimension 20): I had the idea for this vid back when Cloudward Ho! was still airing and — as I usually do with D20 ideas — decided to save it for Festivids. Now, you might think the hardest part of vidding D20 is making static clips seem lively, but I actually have a lot of fun with that! The hardest part of vidding D20 is CLIPPING, because it's just a lot of people sitting around a table talking, for hours on end. In the past, I've either worked with a pretty small subset of episodes or I've hit a tipping point where I'm getting so in the flow of editing that I give up on clipping and scrub for specific moments, but this time I really felt like I needed the whole season properly clipped, and color coded, and sorted before I could really make the vid I wanted to make. So, I started clipping in October and finished clipping in late January 😅. I was not at all sure I'd be able to get this vid done in time for FV, but, during the long clipping period, I'd gotten my intro done and several lyrical matches drafted, so once the clips were in order this really did fly together. I'm so glad it did, as I think this vid really captures all I loved about this campaign!

JMA-PSOS ([personal profile] ionelv) wrote2026-02-07 02:34 pm
Entry tags:

Amerikkka vs Americcca: rewriting J6 history in near real time

The Atlantic had a nice article on the 5-year anniversary of the January 6, 2001 riots. Three things struck me:
1. The split-brain experience of what Jan 6 was,
2. The heavy realtime myth-making (even before the event) and retelling of what happened that day,
3. That although 1600 J6ers were convicted, the main culprit got away scot-free forever.

One thing that is missing from the article is the implications of this parallel reality: America will continue to tear itself apart if it does not reunify under a shared non-delusional history and a common purpose for all.

Excerpts:
Back in 2015, when Trump had begun his presidential campaign, Webster hadn’t taken him seriously, because he “said some crazy-ass stuff.” Webster thought of himself as a traditional, small-government, libertarian-leaning Reagan Republican; he’d supported Ted Cruz in the 2016 Republican primary. Now, though, he began to find Trump’s bombast refreshing. In the president’s words, Webster heard echoes of his own thoughts about the strangulating overreach of an authoritarian government. Some of what Trump said about foreign policy also began to resonate with Webster, particularly his statements about wanting America to quit its “forever wars,” because he worried about his daughter in the Marines.

[…]

Over the course of 2020, Webster found himself pulled more and more deeply into the MAGA camp. The concept of “Make America Great Again” seemed pretty brilliant to him. Who could argue with it? Webster had been disappointed to see the Obama administration go on what he thought was an endless apology tour around the world. Trump, in contrast, embraced the country and was unabashed in putting America first. “I really appreciated that,” Webster told me recently. “I didn’t view MAGA as ‘extremism.’ I viewed it as a sense of patriotism, a love of God and family and country.”

[…]

We won this election, and we won it by a landslide,” he said. After telling them to “peacefully and patriotically” make their voices heard, in order to give Republicans the courage to reject the certification, he shifted to inflaming them: “We fight. We fight like hell. And if you don’t fight like hell, you’re not going to have a country anymore.” He told them to walk down Pennsylvania Avenue to the Capitol, where Congress was beginning the certification proceedings, and said that he would go with them. (He did not go with them.)

[…]

But within hours of the attack on the Capitol, an alternative narrative was already forming. On her show the evening of January 6, the Fox News host Laura Ingraham wondered aloud whether antifa sympathizers had infiltrated the crowd. Before long, a chorus of conservative-media personalities, far-right lawmakers, and family members of rioters was suggesting that the reports of savagery had been overblown; that the events of that day had been more peaceful protest than violent insurrection; that the real insurrection had been on November 3, when the election was stolen.
By March, Trump was telling Ingraham live on Fox News that the crowd had posed “zero threat right from the start” and that protesters had been “hugging and kissing” the police. By the fall, Trump and other prominent MAGA figures were regularly referring to the rioters turned defendants as “patriots” and “political hostages.” January 6, Trump would later say, was “a day of love.” News clips featured residents of the “Patriot Pod,” a unit at the D.C. jail that housed January 6 defendants, singing “The Star-Spangled Banner” every night—and before long, Trump was playing a recording of their rendition at the start of his political rallies. On his Fox News show a year after the insurrection, Tucker Carlson said, “January 6 barely rates as a footnote. Really not a lot happened that day, if you think about it.” Representative Clay Higgins, a Republican from Louisiana, has said, “The whole thing was a nefarious agenda to entrap MAGA Americans.” Shortly after the first anniversary of January 6, Trump mentioned the possibility of pardoning the defendants if he were reelected.

[…]

In November 2024, when Americans reelected Trump, Hodges felt a deep sense of grief. During 11 years of policing, he’d seen people do terrible things to one another—shootings, stabbings, maimings. But the election results strained his faith in humanity more than any of that. After all Trump has done? Hodges thought. After all we know about him? His friend Harry Dunn, a former Capitol Police officer who’d been called “nigger” for the first time while in uniform on January 6, later said that seeing the 2024 election unfold was like watching the end of Titanic : You knew what was coming, but it still hurt to watch. Both Dunn and Hodges long ago grew tired of talk about the “shifting narrative” of January 6. “Ain’t no narrative,” Dunn likes to say. “Play the tape.”

[…]

Still, Hodges hoped that there would be some nuance in who received pardons. There was not. Trump did not weigh each case like Solomon: He issued full pardons to almost all of the 1,600 people charged in connection with the insurrection. Of those, about 600 had been charged with resisting arrest or assaulting officers, 175 of them with dangerous or deadly weapons. No matter how big their sin, no matter what all of those judges and juries had decided, almost everyone was just—poof—forgiven. The only (partial) exceptions were the 14 members of the Oath Keepers and Proud Boys whose sentences Trump commuted, meaning they were released from prison but their convictions were not erased.

[…]

Recently, I told Hodges that I’d been interviewing Tom Webster about January 6. Hodges vaguely remembered the story about the former NYPD cop who’d assaulted one of his colleagues. When I told him that Webster still believed that the 2020 election may have been stolen, Hodges was not surprised. He doesn’t think people like Webster will stop lying to themselves anytime soon. “They can’t,” Hodges said; the cognitive dissonance and moral pain would be too great.
Accepting reality would mean reevaluating everything they thought they knew—that their actions were ethical and justified, that they are great patriots. Accepting the truth of January 6 would require coming to grips with the fact that they supported a con man and participated in a violent plot to subvert democracy. The immediate reward for undertaking this kind of hard self-examination would mainly be shame and regret.
“To grapple with these truths would, in a very real way, unmake them,” Hodges said.

[…]

I pointed out to Webster that he had apologized to Officer Rathbun in court. Wasn’t that a concession that he’d acted wrongly on January 6? In response, Webster said that, although he feels “bad about how the whole day went down,” his apology should not be taken as an admission of guilt: “I was pressured by my lawyer to apologize. He said it would help me reduce my sentence.”

[…]

Webster is disappointed by where things stand now: With Trump in office and MAGA conservatives in power, they finally have the ability to prove what happened that day—so why aren’t they? When Dan Bongino was a podcaster, he repeatedly asserted that undercover agents embedded in the crowd had helped orchestrate January 6; now that Trump has made him deputy director of the FBI, why isn’t Bongino releasing the evidence? Webster feels similarly disappointed in FBI Director Kash Patel and Attorney General Pam Bondi. “Why are you guys always bragging about arresting illegal Mexicans doing roof work?” he asked. He wonders why they’re not instead exposing the plots of the deep state, as Trump has demanded. Webster believes that Bongino and Patel have become polluted by the same swamp that Trump has again and again vowed to clean up.

[…]

As Webster looked out at the members of the crowd, he thought they’d probably Google him when they got home. Which video clip would they find? he wondered—would it tell the right story or the wrong one? Would they see him as a felon or a patriot? Which truth would they believe?
On his way home, Webster told his wife that he wouldn’t speak at any more events. Reliving what they’d been through was too painful. And he didn’t see much point until the whole story was revealed. So he waits for the truth to solidify into something firm enough to stand on, a day he fears may never come.
umadoshi: (Cult of the Lamb 01)
Ysabet ([personal profile] umadoshi) wrote2026-02-07 03:25 pm

Weekly proof of life: mainly media

In movie news, Cineplex has a listing for Zhu Yilong's new movie, Scare Out, which is apparently opening in Canada on Feb. 17. I refuse to let myself be excited about this, after having so much hope about Dongji Rescue last summer. But maybe it'll open here and I'll be able to see it! At least the 17th is before the crunch at work starts.

Reading: To shake things up a bit from Kurosagi, this week I reread the first two volumes of Hikaru no Go. In both of these cases, I'm pretty much relying on Goodreads to tell me when I get to volumes I haven't previously read. Awkwardly for my sense of "what even is time?", this means that I now know that I first read vol. 1 of Hikaru no Go in 2006 and vol. 1 of The Kurosagi Corpse Delivery Service in 2008.

My sense of how far I got into Hikaru no Go is completely nonexistent, since I know I read some number of volumes at some point, and I saw some of the anime (long enough ago that I know we were still living in the co-op we moved out of over fifteen years ago), and [personal profile] scruloose and I (much later) saw the c-drama in its entirety. It's all rather a jumble. But seeing the c-drama did inspire me to finish buying the manga, and I guess its time has come!

I did wind up reading all of Dungeon Crawler Carl, and the upshot, given my uncertainty about finishing it to begin with, is unsurprisingly that I doubt I'll pick up the second book. I think it's very safe to say that LitRPG is not my thing. I did wind up liking the book more overall than I would've thought back around the 40% mark or so, though.

Watching: We're caught up on The Pitt and one episode behind on Frieren. We've also seen the second episode of Midnight Mass, which has a lot of animal harm; I don't have any triggers that I'm aware of, but it was enough to be upsetting.

Playing: I think I've finished Cult of the Lamb: Woolhaven, which is to say that I've finished the main plot and done a few wrapping-up things, leaving me free to idly manage the cult and do dungeon runs, but that's usually when I wander off.

Weathering: We're having some of what I would call Normal Snow for the second time this week. The first time, a few days ago, I realized I've started to basically think in terms of "winter days that are cold but not much is happening outside" and "snowstorms", without much in between, but that's probably a result of leaving the house so rarely as much as it's a byproduct of climate change.
lupine_dreaming: (POTO 1989)
lupine_dreaming ([personal profile] lupine_dreaming) wrote2026-02-07 12:13 pm

Speed running fandoms??

I’m annoyed at how fast fandoms move now. I remember that when Matt Reeves’ Batman movie came out, I was seeing a lot of fan works for it for a few months, then … nothing. But why??

Don’t you ever feel the urge to just be insane about a piece of media for years? For decades even? I’ve been a POTO fan for 18 years!! The love is still going strong. But this seems to be the exception rather than the rule now.
bluegansey: nagito looking down at the viewer, concerned (dr - nagito - you okay?)
it's not rocket surgery ([personal profile] bluegansey) wrote2026-02-07 10:24 am
Entry tags:
marthawells: (Witch King)
marthawells ([personal profile] marthawells) wrote2026-02-07 12:00 pm

Locus List

Some good news:

Both Queen Demon and the Storyteller: A Tanith Lee Tribute anthology, made it on the Locus Recommended Reading List:

https://locusmag.com/2026/02/2025-recommended-reading/

with a lot of other excellent books and stories, including a new section for translated works.

You can also vote on the list for the Locus Awards. Anybody can vote here with an email address: https://poll.voting.locusmag.com/ though they have you fill out a demographic survey first with how many books you read per year, etc.

Of course a lot of great work did not end up on the list, like I was surprised not to see The Witch Roads and The Nameless Land duology by Kate Elliott, which I thought was excellent.
knave_of_swords: (hana scream)
knave_of_swords ([personal profile] knave_of_swords) wrote2026-02-07 11:57 am

Subscriptions & Backlogs

I'm still enjoying watching Naruto Shippuden, but the pacing is starting to get to me... I'm in the Tenchi Bridge arc right now and it just feels like everything has been moving so slowly for so long. I'll get through it, I'll get through it... but I am kind of wondering if maybe it would just be a better idea to read the manga. But then I miss out on the voice acting and the color and the fight animation! Hmm. It's something I'm thinking about.

I've also been meaning to catch up with Kai-Hen Wizards again! I missed when it returned from hiatus, so there are about 20 chapters or so right now that are subscription locked... but the subscription is only like $2 a month, so I think I'll get it soon for a month, catch up on Kai-Hen Wizards, and then drop it. I'll probably even be able to do it during the free trial period of a week.

I've also decided to cancel my subscription to marquee.tv, an excellent site that has a lot of opera, ballet, and theater performances recorded that you can watch with a subscription. I just wasn't using it! I'm trying to get a handle on my backlogs in general, of video games and books and shows and etc., and I just wasn't using this subscription, though I'm really glad that it exists as a service. 

Other subscriptions I currently have include DCU Infinite and Dropout, both of which I also need to use more often... but I do actually use them, at least. Other than that, there's Crunchyroll of course, and Amazon Prime... one day I will cancel Amazon Prime, but I just! keep! buying! things! from Amazon. I've gotten better at curbing my spending, but I still use it often enough that it feels worth it... but it would be nice if I could stop buying shit on Amazon often enough that a Prime subscription would be worth cancelling. 

So now my biggest backlog items are video games and books. I need to get in the habit of reading on my phone instead of playing games or browsing ffa when I'm bored! The video games... well, I'll get to them eventually. Right now my main focus entertainment-wise (especially wrt my TV) is Naruto Shippuden, so I expect to make more headway with the video game backlog once I'm done with Naruto. 
olivermoss: (Default)
Oliver Moss ([personal profile] olivermoss) wrote2026-02-07 09:57 am

PXWLF Day 1

I started with the main/downtown section of the festival and boy do I have regrets. There is a reason I usually mind the outskirts of the festival for interesting photos and experiences.

The Portland Winter Lights Festival is a 2 week thing with over 200 art installations and events. Last year they ranged from giant metal fire breathing dragon at the waterfront to 'store that happens to sell a few glow in the dark items is open late'. Also, last year I saw a drag king performance based on I Saw The TV Glow. It is a highly varied experience, and the website is deeply unhelpful. I can tell you already that some of the images this year are concept art and not actually was what done. There is cool stuff, but to find it you just need to keep hopping around hundreds of sites and hoping.

I've had a good time at the festival in the past. One year it happened during that extended snowstorm/power outage Portland had and I remember trudging through deep snow to see the fire powered light events, a truly surreal experience.

Anyway, the main downtown space can get crowded and people can get pushy. I don't have a sense of balance so people pushing me side to make a hole for their group is A Problem for me. Some lady wanted to push through a line I was in, rather than go around. I asked her to cut behind me instead of in front for a specific reason, and she had a expletive filled crash out at me.

I hopefully got at least 2 good pictures, but yeah, there is a reason I usually skip the main area. I am *hopefully* hitting the Electric Blocks and some east side stuff tonight, then I'll start sorting through lists to see what else I want to hit. The only exhibit up on St John's is... an art exhibit that's been there year round for years.

Also, damn, just like I need a dedicated Mike Bennett folder I need to start a PDXWLF folder.
ehyde: (Default)
ehyde ([personal profile] ehyde) wrote2026-01-28 12:18 pm

3d printing! and other life stuff

The fun development at our house recently is that we got a 3d printer for Christmas! We had been thinking of getting the kids a Nintendo Switch because there are a few games they've been interested in that aren't available for PC but Jeff and I were not ... excited ... about the prospect of litigating turn-taking between three kids and one device. At pretty much the last minute I was thinking about how eldest really likes playing with the 3d printed dragons her friend made her and idly wondered how much printers go for these days and lo and behold, there are models that cost less than a nintendo switch! So we pivoted to that plan and it's been great. So many articulated dragons. Jeff's been printing minis to play some combat games with the kids and I've been printing some bookbinding tools too. Along with various just, helpful gadgets! I have a lamp with a switch that's really hard to turn in a circle so I designed a cap for it that sticks out wider on the sides and it just snapped right on and works great! I'm still figuring out various 3d modeling software, I've tried OpenSCAD, Autocad Fusion, and TinkerCad (I'm also learning Blender against my will because Eldest is interested in some more artistic sculpting and it's a tricky program for a 9yo to figure out on her own). Not sure which I like best yet but I am having a lot of fun.

A couple of weeks ago we got a massive amount of snow and it hasn't really gotten above freezing since, so we still have a massive amount of snow. The kids got two whole snow days out of it and they're using "by the time the snow melts" as a timeline for their current computer gaming goal (getting into space in Factorio). I am enjoying the snow a little less (my boots have holes. Any recs for not-too-expensive snow boots for wide feet?)

I mentioned before that I had picked up the Guardian drama again, well, I convinced Jeff to watch it with me (apparently "it's a bit cheesy and kind of reminds me of early seasons of BTVS" was a convincing rec) so we re-started from the beginning. Forgot to mention it was based on a danmei but he figured that out for himself at episode 8. We're now up to episode 12 which is *almost* where I left off.

pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
pauraque ([personal profile] pauraque) wrote2026-02-07 12:40 pm

Blockout (1989)

The splash screen of this game credits California Dreams, a familiar publishing label used by Logical Design Works for many of their home computer releases in the '80s and early '90s. As a kid I assumed these games were made in my home state of California, but nope. Almost all of them were developed in Poland by P.Z. Karen Co., a studio that primarily produced games for the Western market. (Another interesting title they developed was 1991's Solidarność ["Solidarity"], "a political simulation of the Polish underground freedom movement that culminated in the Solidarity trade union in 1980", which I have never played, though I am a little tempted.)

rectangular well with a wireframe grid has begun to fill with colorful tetris pieces as a wireframe piece waits to be dropped from the top

But today we're talking about Blockout. It's 3D Tetris. Instead of a side view, you're looking down into a well into which you must drop the wireframe pieces. In addition to using the arrow keys to move the pieces, you also get six rotation keys (clockwise and counterclockwise around three different axes of rotation). The rest of the gameplay is just as you'd expect; if you manage to fill a layer of the well, that layer disappears like a Tetris row, etc.

I did have the DOS version of this game as a kid, but what I mainly remember is watching my mom play it. )

Blockout is free to download or play in your browser if you want to find out if your spatial reasoning abilities are more like mine or more like my mom's.
oursin: A C19th illustration of a hedgehood, with a somewhat worried expression (mopey/worried hedgehog)
oursin ([personal profile] oursin) wrote2026-02-07 05:29 pm

Deep blankness is the real thing strange

That was a week that felt a bit odd, which may have been quite a bit down to my not sleeping as well as have latterly been doing.

Also not getting out for accustomed daily walk as often as usual because RAIN.

Somewhat stunned by phonecall from friend with whom I am collaborating on various projects who has recently had some rather devastating health news.

Resumption of contact with two other friends: one of whom I had contacted after receiving what turned out to be, as I had suspected, spam email from her hacked account.

Having the February blahs, pretty much.

profiterole_reads: (Kuroko no Basuke - Kagami and Kuroko)
profiterole_reads ([personal profile] profiterole_reads) wrote2026-02-07 06:24 pm

Blue Lock the Movie: Episode Nagi

Blue Lock the Movie: Episode Nagi was a lot of fun!

Of course I was excited that they dedicated a whole movie to my OTP, Reo/Nagi! <3 There were also some nice Isagi/Bachira scenes.

It's available on Crunchyroll (new to me, but it's been available to the high-tier subscribers for a long time).
lightbird: http://coelasquid.deviantart.com/ (Default)
lightbird (she/her/hers) ([personal profile] lightbird) wrote in [community profile] halfamoon2026-02-07 12:12 pm
Entry tags:

Day 7: Fic Self-Rec - Quantum Leap - Donna Elesee, Verbena (Bena) Beeks

Title/Link: Cold Feet
Fandom: Quantum leap
Character(s): Donna Elesee, Verbena (Bena) Beeks (and appearances by Sam Beckett and Al Calavicci)
Rating: Teen and Up
Prompt: The Lover
Summary: Donna gets cold feet.
lovelytomeetyou: (Default)
lovelytomeetyou ([personal profile] lovelytomeetyou) wrote in [community profile] halfamoon2026-02-07 01:59 pm

DAY 6 - FIC - DANGANRONPA - SHIROGANE TSUMUGI

Day 6 - Her Own Personal Code  

Title: Out of all candidates, why you? 
Fandom: Danganronpa v3
Characters: Shirogane Tsumugi centered + featuring the rest of the cast
Rating: T
Summary:  There are some really awful dehumanizing shows out there. Thank God Danganronpa™ isn’t one of them. It’s the best of the best and therefore they need the best cast as well. Or Tsumugi's long audition day.

This was an already written piece that really fit with the theme. This story is set in an AU that assumes certain end game revelations are true, so very spoiler-ish. 

Story in ao3