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nnozomi ([personal profile] nnozomi) wrote in [community profile] senzenwomen2026-02-06 09:44 pm

Nikaido Tokuyo (1880-1941)

[This got quite long! The Japanese Wikipedia page goes into unbelievable detail.]

Nikaido Tokuyo was born in 1880 in a mountain village in Miyagi. She finished her schooling at fifteen and became an elementary school teacher’s aide in the same year, like many rural girls; her students enjoyed their bouncy young teacher. Deciding to get formal education credentials, she applied first to the Miyagi Normal School, which no longer had a women’s department, and then to the Fukushima Normal School, which told her she had to be a resident of Fukushima; nothing daunted, she got herself adopted (on paper) by the editor of a Fukushima newspaper, started school, and graduated in 1899. At the Normal School she found the old-fashioned gym classes boring, but did well in them as a student teacher, allowed to wear her “sports” outfit (tight sleeves and a hakama) on a daily basis.

Teaching once again, she encountered Naganuma Chieko, the older sister of one of her students; they became lifelong friends. In 1900 she took leave and entered the Women’s Higher Normal School in Tokyo, where she studied pedagogy with Yasui Tetsu as well as gym and poetry. She graduated in 1904 and went to teach at the Ishikawa Girls’ Higher School, where—having expected to teach Japanese—she found herself assigned to gym classes; resentful at first, she found they improved her own health as well as her students’, and began taking gymnastics lessons with Frances Kate Morgan, a local Canadian missionary. Eventually she progressed to coaching local elementary school teachers in gymnastics instruction. A gymnastics demonstration at which students danced the quadrille, with a live band sponsored by the prefectural governor (whose daughter was among the students) was so popular that local high school boys, unable to get tickets, climbed over the fence and caused a minor riot.

Tokuyo was transferred to Kochi in 1907; there she became famous for reading Shakespeare to her students while they rested in the shade between exercises. In 1911 she took up a position at the Women’s Higher Normal School, where she briefly worked with Inokuchi Akuri; the following year, the Ministry of Education sent her to England to study gymnastics. There, under Martina Bergman-Österberg, she was able to study systematically in comparison to the bits-and-pieces, mix-and-match approach she had followed so far (her instructors were surprised at how little she knew about standard gymnastics).

After her return to Japan in 1915, she taught dance, gymnastics, games, and sports (including cricket, the fruit of her study in England) at the Higher Normal School as well as Tokyo Women’s University, publishing several books as well. After some clashes with her colleagues, she resolved to set up her own school. In 1919 she formed the Association of Women Gymnastics Teachers; in 1922 she founded the Nikaido Gymnastics School to research women’s physical education and train women teachers; it was her stance that women should educate women. In addition to Tokuyo herself, instructors included various military doctors and athletes as well as her little brothers, who showed up to teach Japanese, while her mother Kin—once a tough farm girl who hated sewing—ran the dormitory. In 1925, stimulated by the matriculation of the Olympic runner Hitomi Kinue, Tokuyo decided that her school needed to train athletes as well as teachers. The school was approved as the Japan Women’s Vocational School of Physical Education in 1926.

In her later years Tokuyo became increasingly nationalist as Japan slid toward wartime status; she had a perpetual adoration for the military. She died in 1941 at the age of sixty. (In 1943, a newspaper printed her thoughts on the establishment of a women’s physical education exam; the text actually came from her brother, but she was considered better news regardless of the fact that she had already been dead for two years.) Among her students were the dance teacher Tokura Haru, who was instrumental in keeping the school solvent, and the politician Yamashita Harue; Tokuyo’s school remains in existence as the Japan Women’s College of Physical Education. She was said to have had the powerful voice of an opera singer, or rather of the gym teacher she was; she also had a repertoire of insults to rival Captain Haddock, including “jelly on horseback!” “rotten washcloth!” “misshapen rock candy!” and so on.

Sources
https://www.jwcpe.ac.jp/college_info/idea/founder/ (Japanese) Includes a picture of Tokuyo with her students in uniform
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cmk418 ([personal profile] cmk418) wrote in [community profile] halfamoon2026-02-06 06:26 am
Entry tags:

Day 6 - Fic - OZ (HBO) - Diane Wittlesey

Title: After DeeDee
Fandom: OZ (HBO)
Character: Diane Wittlesey
Rating: Teen
Word Count: 306
Summary: Her world changed after DeeDee was born

After DeeDee )
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goodbyebird ([personal profile] goodbyebird) wrote2026-02-06 01:19 pm
Entry tags:

*grumble*

Mitski is playing in London in May and I don't have enough internet to do so much as open the ticket site.

My plague of ill concert happenings, I swear.
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cmk418 ([personal profile] cmk418) wrote in [community profile] halfamoon2026-02-06 06:14 am
Entry tags:

Day 6 Theme - Her Own Personal Code

Today's theme is Her Own Personal Code.

Here are some ideas to get you started: What rules guide the way she lives her life? What rules guide the way she wants others to live their lives? Was this something she developed over time or something drilled into her as a child? Did religion or a particular mentor play a role in the development of her code of morality?

Just go wherever the Muse takes you. If this prompt doesn't speak to you, feel free to share something that does. You can post in a separate entry or as a comment to this post.

Want to get a jump start on tomorrow's theme? Check out the prompt list in the pinned post at the top of the page. Please don't post until that day.
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sabotabby ([personal profile] sabotabby) wrote2026-02-06 07:06 am
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podcast friday

 There's a lot of good stuff on the podcast feed this week, but look, we all have to be Elbows Up these days or whatever, even though Canada is a fake country, because it's better to be a fake country with healthcare than a fake country with crushing medical debt. So I must proudly wave the flag when Behind the Bastards notices and recognizes an actual Canadian bastard, as they did this week with Romana Didulo, Queen of Canada (Part 1, Part 2).

Her Majesty is not a successful cult leader by American standards; she basically ruined the lives of a few dozen people and hasn't directly killed anyone that I know of, though in terms of indirect deaths through encouraging the spread of covid, she's likely ended at least a few lives. She's a fascinating study, though, in Why People Believe Batshit Things Against Obvious Evidence and Logic, and she's worth learning about for that alone. This is an obvious mentally ill person with no charisma, elevated to fame by some rando on the internet, and enabled by a media ecosystem that considers all opinions equally valid unless they're left-wing opinions. In a better society she'd be given the help she so obviously needs; in ours, her worst tendencies were encouraged and rewarded.

Of course, this is all ancient history from the early 2020s and is of no instructive value now. Just, y'know, interesting to listen to.

ETA: I am remiss in not mentioning that there's a third part to come next week. I had like 10 minutes left in the second episode and did not realize there was MORE ROMANA to come.
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Katarina Whimsy ([personal profile] sorcyress) wrote2026-02-06 05:58 am

Do hard things badly, keep dancing

Very long day yesterday. Thursdays are my busiest days at work, where I see all five of my classes rapid in a row, with just my lunch break in between. It always gets me a little bit bleary-eyed, and then today we had conferences after. At least those were scheduled in the earliest time-slot we ever do them --we move the times a bit so that different parental situations can have access at different times, and this was the 3-5 event.

Then, as Clayton-workbestie and I were walking home, I mentioned offhand "oh, and I have to go teach Scottish now". Which was actually a great comment to make, as it led us back to my absolute favourite walking-home-conversation-topic, to wit, the pedagogical and logistical differences between teaching high school geometry, Scottish country dance, or Japanese tea ceremony. We know a surprising amount about each others' niche hobbies, just from being passionate and enthusiastic about them, and willing to nurse that enthusiasm in the other, and it's really nice.

(the biggest conclusion this time was the pairing of advantages/disadvantages. I can run a dance class on a school night, because setting up and tearing down only takes me about 15 minutes on either end (plus a potentially infinite amount of prepping a lesson plan, but I can get by if that's measured in a single digit of minutes). He can't do that, needs much more time to prepare fancy snacks before and carefully hand-wash and ensure all the dishware is dry after, but if only one other person shows up to his class, they will have a marvelous and fruitful time, where I get nothing but footwork practice at that point.)

And of course, every time I say the phrase, I think about a post Tricia made years ago, about a gentle correction BDan gave her when she said "I have to go dancing tomorrow". Change "have to" to "get to". I _get_ to run my dance class on odd Thursday nights.

Really truly, it has been astoundingly consistent, that no matter how up or down I'm feeling beforehand, I have not yet had a week where I came out of class feeling bad. Varying levels of tired, but the fact that I've bent the world to my will enough to have this one little bright spot of joy and community is amazing, and I feel consistently so privileged and excited to get to witness it.

Also it's _so nice_ to have simply embraced my ethos of "do hard things badly" and just run forward with it. Another difference from tea ceremony --they have more of a set and ordered curriculum, which is lovely for them, but doesn't have as much flexibility for my style of "you've been here like twice before ever and just walked in a few minutes late? yeah, we're just gonna throw you in, do your best"

I'm also so privileged to have found-made-cultivated-developed-whatever a group of people willing to extend me grace and patience as I learn the best ways to say the things to share the idea. I still need to remember that modeling is often best, but on any given dance, I can feel myself getting better within the moment as I encourage them on. Truly, my class is spoiling me for regular teaching.

(that's actually not a joke --when I last taught at Cambridge Class, the biggest and much more traditional class in the branch, I found myself second-guessing and being slightly shocked at how much support these far more experienced dancers needed, and having to occasionally rewrite programs between weeks to take some challenges down a few notches. Which is really just a different culture of dance --there's much more of the "wanting to do the same things enough times to feel confident" where I'm more, as I said, be okay with doing things badly.)

Maybe I should write a continuing set of ethos up sometime, what I'm actively hoping to cultivate. Include things like "we communicate without words [except the caller]" and "we keep trying to find our spot". The compliment for the two newest dancers on the floor tonight was that both of them were very good at _not stopping_. One of them, the one who's only come two or three times before, is the one we all cornered at the end to express astonishment she does no other form of dance.

"If you're having fun, you definitely should come back, because you have a quite good sense of how to communicate non-verbally" I say (approximately) and Alex interrupts to say "if you're having fun, you should come back because you're having fun" which I appreciate. It's all a very good situation, honestly.

And it's nice to know that there's something feeling interesting and exciting and sustainable in my world, especially when some days my job is feeling, uh, not those things. This year has been very long and hard, it's important that it also has dancing.

I love you,
~Sor
MOOP!
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swan_tower ([personal profile] swan_tower) wrote2026-02-06 09:02 am
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New Worlds: Why We Build a Wall

There's a pop-culture tendency to point at structures like Hadrian's Wall or the Great Wall of China and laugh because "they didn't keep invaders out." But that betrays a very limited understanding of what a wall is for.

Without a wall, anybody can wander through anywhere they like -- terrain permitting, which is why people like to put borders in places where nature itself forms a useful barrier. (Much cheaper that way.) When you build a wall, though, easy passage can only be effected in a limited number of places: specifically, where there are gates. Legitimate traffic will go through those restricted channels, which means that at a minimum, your wall gives you the chance to monitor that traffic. If you want to ask their business, record information, collect taxes, or turn somebody away, a wall makes those tasks much simpler.

Can people get over the wall in non-gate locations? Of course: outside of fantasy, basically no wall is completely unclimbable. But every bit of difficulty you put in an intruder's way is going to limit how easily and, more important, how usefully they can get across. Even a mere palisade of sharpened stakes, like that used to defend the Roman border in Upper Germania, is beneficial in that regard. Sure, somebody can get over it. But can a hundred? A thousand? Without being noticed? Even if they can, their horses sure as hell can't, or their supply train. If they want to bring an effective invasion force through, that small group has to either bring the wall down, or (more likely) hit a gate fort from behind, through a surprise attack or treachery. Then, with the gate in their control, they can actually start the invasion proper.

Defense, however, isn't just about barriers; it's also about surveillance. A wall and its forts make a useful base from which to send out reconnaissance patrols, which might either return word of an approaching army or not return at all -- and that's a warning in its own right. If the defenders are competent, they'll also keep a swath of ground outside the wall clear of trees, so that anybody approaching will be spotted before they reach the wall itself. Once there, ideally no point anywhere along the line will be out of view of a watchtower, even if you have to change their spacing or the path of the wall to arrange that. The result is that even the aforementioned single guy or small force can't go unnoticed, unless they go without torches on a cloudy or moonless night -- which, of course, makes it that much harder to effect a crossing. Once the defenders see anything, they light signal fires or otherwise send an alert, and the larger body of soldiers at a gate fort knows to prepare for trouble.

Nor does it end there! In addition to the watchtowers and forts, a wall frequently has nearby support, in the form of one or more larger settlements with their own garrisons. This place can have support services for the army (you don't want a ton of civilians at your wall), and soldiers can rotate in and out -- wall duty being kind of famously an unpleasant assignment. When something goes down at the border, word also gets sent to the nearby army, which can either ride out in support or batten down the hatches in preparation for an impending attack. This can ripple out as far as it needs to, from that settlement to deeper within the territory, and all the way back to the capital or wherever the ruler happens to be.

In other words, a wall is a larger-scale version of the security principles we talked about in Year Three. To begin with, it serves as a deterrent: attacking someplace guarded by a wall is harder than attacking someplace without, which either diverts the enemy to an easier target or discourages the less well-organized foe. If they attempt something anyway, the wall gives you an opportunity to spot it coming, and to warn others that they're in danger. And finally, it provides a foothold for your response, whether that be killing, capturing, or driving off whoever threatens the wall and everything it protects.

So why don't they always work?

Most failures can be chalked up to an insufficiency of money, of loyalty, or of both. If a state can't or won't pay to properly maintain its wall and associated defenses, then crumbling sections or encroaching forest will make it easier for people to get across unseen. If it can't or won't pay to properly equip, train, and compensate its soldiers, then they'll slack off in their vigilance or be useless when trouble arrives. And poorly paid soldiers -- especially poorly paid commanders -- are more susceptible to bribery. Why bother sneaking a bunch of guys over the wall in pitch-black night and then assaulting a fort when you could just get somebody inside to open the gate for you?

Most of the time, the security failures will be small ones. Somebody takes an unauthorized nap and it's fine, because nine hundred ninety-nine times out of a thousand, nobody's trying to slip across at that exact moment. Guys at a watchtower or two get bribed to look away from, not an invading army, but some smugglers bringing contraband over the border. Maybe twenty guys manage to raid a border village -- and then possibly stay on that side of the wall, marauding through the countryside, because everything they steal makes it that much harder to get back home (assuming they even want to go).

But the big failures are dramatic. Somebody turns coat against their country, maybe for greed, maybe for ideology, but the result is pretty much the same. It may sound like a good idea to get a troublesome general out of your hair by sending him as far from the capital as he can get, but you do risk him deciding he's got better friends on the other side of the wall. If he's competent and ruthless enough, he can keep that warning system from transmitting an alert until his loyalists and new allies are deep into your territory, where there are no more walls to help keep them out.

No, walls don't always work. But when you really need to defend a border, having one is worth the expense. Just make sure you don't stop paying the bills.

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(originally posted at Swan Tower: https://is.gd/ZidYV5)
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ysabetwordsmith ([personal profile] ysabetwordsmith) wrote in [community profile] followfriday2026-02-06 12:40 am
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Follow Friday 2-6-26

Got any Follow Friday-related posts to share this week? Comment here with the link(s).

Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die".

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vamp_ress ([personal profile] vamp_ress) wrote in [community profile] booknook2026-02-06 07:02 am

Reading Wrap-up 1/26

Duras, Marguerite: Abahn Sabana David. Open Letter Books. 2016.
I've bought this years ago in a bundle with several Duras-books and I must say, I've no idea what I read here. I think the word one uses for something like this nowadays is: word salad. At least it was short.

Riddle, John: Contraception and Abortion from the Ancient World to the Renaissance. Harvard University Press. 1992.
This was delightful. I actually bought this for fic research, but I thoroughly enjoyed it even apart from the excellent info it provided. The author's thesis is that - contrary to popular belief - people in antiquity and well beyond had very detailed knowledge about contraception (and abortion). Later, this knowledge was lost. The assumption is that this loss was caused by Christian religion and its rigid moral standard. Fascinating!

Steinbeck, John: The Grapes of Wrath. Penguin. 2006.
I read "Of Mice and Men" as a teenager and was absolutely blown away. I always meant to give Steinbeck another go and find a few more favourites. I went with "The Grapes of Wrath" because this is argueably his magnus opus. And boy, did I hate it. Maybe it's an unpopular opinion, but this book didn't age well. The most interesting thing about it is the fact that it's widely popular and acclaimed in the U.S. despite its openly communist agenda. (Mind you, not that there's anything wrong with a communist agenda, per se - but my understanding is that the U.S. and communist ideas don't mix well.)

Donaldson, David Santos: Greenland. Amistad. 2022.
This was such a missed chance. The blurb says this is a novel within a novel about E.M. Forster's love affair with an Egyptian tram conductor, but I learnt basically zero about that. Everything about Forster and his affair read like an author self-insert (or maybe a protagonist self-insert, since the protagonist is also the author of the book within a book). I took basically nothing away from the read expect maybe the info that black gay men in New York are obnoxious and annoying. (Sorry to all N.Y. gay men ...)

Moore, Kate: The Radium Girls. Simon & Schuster. 2016.
God, this was painful (pun intended). This is such an important book with such a strong sujet, but the execution wasn't even mid it was infuriatingly bad. The writing had the level of a romance book you buy at a whim at a train station. It was that bad. Moore clearly wanted to write a kitschy novel - every character here (and there are way too many) was introduced by bodily features. Women have dazzling smiles and men have strong arm muscles. Paired with the subject matter of the book this approach made me gag. The book needed to be written, but Kate Moore was the wrong woman for the job, sorry.

Johnson, Denis: Train Dreams. Picador. 2012.
I had never read anything by Denis Johnson but right after finishing this I bought another of his works. This was so good! It deals with the life of a man in the Idaho Panhandle throughout the 20th century. It starts in 1917 and ends in the 1960s with his death. In the nostalgia this evokes it reminded me a little of Harrison's "Legends of the Fall" which is equally panoramic in its approach and shows a time not too long ago but ultimately lost and absolutely alien to us now. Fantastic read!
 

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Jenn ([personal profile] hafnia) wrote2026-02-05 10:00 pm

Talking Meme Month - day 5

The master list of questions is here — the 16th, 22nd and 24th are all free, if you want to ask anything! :D

Talk about SPACE HEIST (how you came up with the idea, where you currently are in designing it, whatever else you wanna say...?)

Oh, glob, this is a deep pull. Ha. Okay.

For those that aren't in the know, Space Heist is a 2d6 ttrpg I designed and wrote myself. It takes place at a point where humanity has gone to the stars, interstellar travel is common, and people are scattered across the galaxy. Think space stations, alien planets, incredibly advanced tech...

Right, um, anyway. I started writing it about 5 years ago, in 2021. As far as "how did I come up with the idea", uh. People who have been around here a Long Time probably recall different short stories I wrote at various points in time about something I called the "Explorer Corps" — basically, a human-centered operation that was dedicated to "charting the uncharted" and hired the "best of the best" to do it. When I came up with it originally, it was very much, "I need something that works to put scientists into space but isn't NASA".

The very first long-form campaign I wrote/ran was wrapping up in 2021, and my players all wanted to play something science fiction. I'd thought about running TechNoir or Scum and Villainy, and neither one of them really appealed to me. So, instead of running something like Mothership or a Lasers and Feelings hack, I went, "I've been thinking about designing a game", and wrote Space Heist, using all that old Explorer Corps vibes/worldbuilding.

At this point, the player documents are a hot mess, but they're technically done. I have yet to start working on the GM documents beyond some basic notes on setting and how to run the game that are more philosophy than "here's how this works, mechanically". I have run it — I've run a couple of one-shots in it — and i'ts one of the things I get asked to run most frequently, because the people who like it, really like it.

The last couple of playtests, as well as getting more familiar with playing 2d6 systems like PbtA, means that I've got a bunch of thoughts about players and how skills etc work. I need to review and revise the documents, something I'm planning to do in the next month or so. After I revise the player documents (which will be pretty involved), I may run some further playtests (FUN) to see how stuff hangs together, if it does. I also need to actually write the GM guide for this — most of it is just "vibes", but there are some setting things and one-shot ideas that people who run it should be aware of.

It's my goal for this year to go ahead and get it up on itch.io, whether that's being like, "this is in alpha, please give me feedback, you can download it for free", or if I actually do get what I would call a 1.0 release ready and release it as a pay-as-you-want PDF. Right now I'm leaning toward the latter, just because I can't envision myself wanting to do a lot more iterations of it, and the only thing that's really stopping me is the knowledge I have zero artwork for it (but that I would want to either make or commission art — the former is intimidating, but the latter requires money I don't have to dedicate to a project like this right now).

So!

Kind of weird, but it came up in therapy the other day — my therapist asking, like, "so how are you doing at putting more of your stuff out there" (since it's something I have talked about with him pretty extensively — not monetizing projects, specifically, but putting stuff in a place where other people can see it and take joy in it). I said that I was planning to release Space Heist this year, and he was all for it. Guess I'll have at least one person holding me accountable? Heh.
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anais_pf ([personal profile] anais_pf) wrote in [community profile] thefridayfive2026-02-06 12:41 am

The Friday Five for 6 February 2026

These questions were suggested by [livejournal.com profile] that_one_girl.

1. What did you want to be when you were a kid?

2. What is your proudest accomplishment so far?

3. What is your dream job?

4. Where do you see yourself in 10 years?

5. What does it take to make you happy?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!

**Remember that we rely on you, our members, to help keep the community going. Also, please remember to play nice. We are all here to answer the questions and have fun each week. We repost the questions exactly as the original posters submitted them and request that all questions be checked for spelling and grammatical errors before they're submitted. Comments re: the spelling and grammatical nature of the questions are not necessary. Honestly, any hostile, rude, petty, or unnecessary comments need not be posted, either.**
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mastermahan ([personal profile] mastermahan) wrote in [community profile] scans_daily2026-02-05 10:26 pm
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cornerofmadness ([personal profile] cornerofmadness) wrote2026-02-05 10:40 pm
Entry tags:

Curious but don't want to be ghoulish

When I came home today the ambulance is over all the parking places (I'm now on the ice floe wondering if I'm going to work tomorrow after all). No one was about, no doors open so I don't know who they were here for but we have a lot of 70+ people here. I hope they'll be okay.

My nursing students gave me hope today. They did really well on the micro test for the most part. Out of 37 less than 5 failed. I'm happy with that.

Nearly finished my vampire story.

Speaking of vampires, let me do Tuesday's fannish 50 tonight. I found, by accident, a station showing Buffy the Vampire Slayer. I wanted to talk about her for [community profile] halfamoon which I just don't have time to write for, not with my deadlines. Sigh. I WILL do at least one more but I'm on the struggle bus.

But it occurred to me watching now almost 30 years later (OMFG HOW) that it really hits different than it did then. I always maintained that Joss Whedon wasn't the champion of women he pretended to be back then but I wasn't believed much. I've said this before. I just watched the last few episodes of S3 and the beginning of S4. I know that Xander was meant to be Whedon's avatar which is weird. He's rather incel coded for one but that aside, Xander was never a stand up guy to me. I was also struck about how many age-difference couples there were. I can almost look past Angel (and Spike) as immortals but while the age gap between Wes and Cordy wasn't ridiculous, we don't take too kindly to a mid 20s man trying to date a 17 year old (oh 18 years old, how many times have we heard them screaming that on this show, with her, with COnnor, etc) even in the prom a lot of the dates looked way older than the random girls. Sure that could be bad casting.

Then I remember we now know that they had to protect Michelle Trachenberg from being in the same room with Whedon. Amber Heard told me herself about the pressures put on her.

So do you have any older fandoms that feel different now?

While we're talking about shows, I'm trying to get into a new one, Inspector George Gently. Okay it's not new but new to me. It's interesting but I have never hated a character more than I do in this, at least not in a long time. If I thought Troy was bad in Midsomer Murders, he's a Woke snowflake in comparison to the sergeant in this, Bacchus is frigging awful. Yeah it's set in the mid 60s. I don't expect him to be LGBT friendly. But he's misogynistic, xenophobic and worse, a bully. He uses his job to bully people he doesn't like the Gently has called him out more than once. I'm like either give this man a redemption arc, kick him to the curb or maybe I just need to give up.
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mistressofmuses ([personal profile] mistressofmuses) wrote2026-02-05 08:31 pm
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Habit Tracking: Week 04 (January 18 - January 24)


A brain, because that was the only organ sticker I had. But that was probably the bit of least concern while I was in the hospital.

This was a terrible week!

Goals for the week:

  • Nothing! I was in the hospital Sunday - Thursday!
  • I guess I did technically try to get all my leave stuff sorted out, though I did not succeed
  • I guess I could also put "manage to get discharged and go the fuck home" on the list, haha

Tracked habits:

  • Work - .5/7 - I worked a half day on Sunday before I went to the ER
  • Household Maintenance - 4/7
  • Physical Activity - 0/7
  • Wrote 500/1000+ Words - 0/7
  • Non-fiction Writing - 1/7 - over 1000 words
  • Meta Work - 0/7
  • Personal Writing - 4/7, though three of those were very short phone updates from the hospital
  • Other Creative Things - 0/7
  • Reading - 1/7 - I finished reading What Feasts at Night
  • Attention to Media - 6/7 - Monday, Tuesday, Wednesday, and Thursday I watched various nonsense that I couldn't focus on while in the hospital; Friday had some stuff in the background on youtube but still didn't focus on anything; Saturday we watched a lot of news coverage after Alex Pretti was murdered.
  • Video Games - 0/7
  • Social Interaction - 5/7

Total words written: 3367 words written about my time in the hospital

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stonepicnicking_okapi ([personal profile] stonepicnicking_okapi) wrote2026-02-05 10:38 pm

February LOVE-FEST: Day 5: Soulmates

okapi's February LOVE-FEST

prompts:

1. first love
2. friendship
3. love of nature
4. passion
5. soulmates
6. unrequited love
7. lust
8. love of the game
9. devotion
10. love of food
11. polyamory
12. long distance love
13. lovesickness
14. romantic love
15. love of place
16. marriage
17. love of order and method
18. divine love
19. platonic love
20. infatuation
21. maternal love
22. obsession
23. agape
24. love of animals
25. unconditional love
26. forbidden love
27. ecstasy
28. the beloved

---

Question of the Day: Soulmates are one of those tropes I sometimes like to read in fic but don't believe in in real life. So the question is if you read soulmate fic, what are some of the ways soulmates identify each other?

I think one of the most interesting ones is the first words you say appear on the other person's skin. It can be complicated, but interesting. Red string of fate, I've seen. Omegaverse has a lot where a wolf's eyes change a certain color in the presence of the soulmate. There are somethings in pistil/stamen 'verses, too.

Here's a BTS sope AU ficlet

Fandom: BTS
Pairing: SUGA/jhope, featuring Jin, Jungkook, and RM too.
Rating: Gen
Notes: AU, Kim Seokjin's matchmaking plans go awry. Or do they?

Read more... )
torino10154: Imagine of Neville and others which says Hero above him (Neville Hero)
Keeper of the Cocks ([personal profile] torino10154) wrote in [community profile] neville1002026-02-05 10:03 pm

Prompt 583: Azkaban

Happy Neville Thursday!!

For our last round:
[personal profile] digthewriter wrote Muggle Technology FTW Neville/Charlie

The new challenge is:

Prompt 583: Azkaban

This prompt will run until February 19.

As always, we encourage responses to any prompt at any time, so if an older challenge inspires you, please feel free to post for it!